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Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
Great Antikhaus Rehabilitation Projects
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01
Ministry of Finance, Berlin, Germany
Great Antikhaus Rehabilitation Projects
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02
Ministry of Foreign Affairs, Berlin, Germany
Great Antikhaus Rehabilitation Projects
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03
City Hall, Halle, Germany
Great Antikhaus Rehabilitation Projects
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04
Home Office of the Post, Berlin, Germany
Great Antikhaus Rehabilitation Projects
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05
Palazzo Marenzi, Trieste, Italy
Great Antikhaus Rehabilitation Projects
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06
Proviantamt, Mainz, Germany
Great Antikhaus Rehabilitation Projects
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07
Ministry of Economy, Berlin, Germany
Great Antikhaus Rehabilitation Projects
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08
Hotel Kempinski, Prague, Czech Republic
Great Antikhaus Rehabilitation Projects
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09
Train Station, Leipzig, Germany
Great Antikhaus Rehabilitation Projects
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10
Palazzo Giunta, Trieste, Italy
Great Antikhaus Rehabilitation Projects
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11
Chateau Plessese, Ciney, Belgium
Great Antikhaus Rehabilitation Projects
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12
Attic on Balmes Street, Barcelona, Spain
Great Antikhaus Rehabilitation Projects
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13
Colonia Riedtli, Zurich, Switzerland
Great Antikhaus Rehabilitation Projects
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Palazzo Marenzi, Trieste, Italy |
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Building constructed on a base of parapet, in a much deteriorated state up to its exterior walls. Its reconstruction began in 1998.
The original windows had practically disappeared, there were only fragments left, and by means of old photographs, it was possible to contemplate its original appearance. Pieces that are now inexistent, such as the small beams and small-girders of the windows and doors of curvilinear tracery of the first and second floors, had to be built in an identical way as the originals. It’s actually a form of the so-called “Trieste Lilies” (three circles placed in a trifoliate arch.) The different original arches of the ground floor also needed to be reproduced according to the original ones.
 State of the work Loose fragments of the windows. In some cases not even the holes for the original windows remained. Diagnosis By means of a study of old sketches and diagrams we had to carry out a work plan to fabricate the windows, making them true reproductions of the original ones. In the same way we had to elaborate an acting plan to carry out the brickwork related to the placing of the windows. Solutions Basing ourselves on the remaining fragments, on the typology in which the panes fitted and that of the profiles, we calculated the characteristics of the original windows.
By means of the hones in the walls and parapets we were able to calculate a posteriori, the height, width and different forms of the arches of the windows (reconstructed digitally.) The analysis of color was done on the fragments of the wooden profiles, and this way we were able to reproduce trustworthily the original color and its composition.

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